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Black and White Shot Through with Red: Poet Claude McKay Brings the Harlem Renaissance to the Soviet Union

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At the confluence of the period of racial violence known as Red Summer (1919) and the first Red Scare (1917-1920), Jamaica-born poet and journalist Claude McKay merged black anger with radical politics in his most well-known poem, “If We Must Die.”

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McKay’s sonnet initially appeared in the July 1919 issue of The Liberator, a radical socialist magazine published in New York City from 1918-24 by Max and Crystal Eastman. The fame and impact of “If We Must Die” was such that it was soon reprinted as a rallying cry in other progressive magazines such as the September 1919 issue of The Messenger, available in African American Periodicals, 1825-1995.

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Black and White Shot Through with Red: Poet Claude McKay Brings the Harlem Renaissance to the Soviet Union

Game of Zones: How Austria Unraveled the Iron Curtain

Austria 1.pngI’m thinking of a city, the glittering capital of a German-speaking people. It was the seat of monarchs and dictators before being bombed into submission during World War II. It was divided into four administrative districts by the victorious Allied powers following that war, and so came late to democracy. It was an island of independence and intrigue deep within territory under Soviet control. Adolf Hitler haunted its streets and harangued the crowds from its balconies. Perhaps you've heard of it? Berlin? No, I'm thinking of Vienna, Austria.

At the end of World War II all the pieces were in place for Vienna to suffer the fate of Berlin: a prestigious urban capital; strategic and economic importance; symbolic significance as an exclamation point marking the end of the Nazi program of German reunification. Yet Vienna and Austria were granted independence in 1955, while Berlin and East Germany labored under communism until 1990. Why such different outcomes?

 

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Game of Zones: How Austria Unraveled the Iron Curtain


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