‘A Melancholy Catalogue of Events’: Highlights from Territorial Papers of the United States

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The April release of Territorial Papers of the United States, 1765-1953, has added more than 350 additional documents to this unique digital collection. Among them are the two Civil War-era reports below from top officials of the New Mexico Territory: Henry Connelly and William Frederick Milton Arny. Both were appointed to their positions by President Lincoln.


Third Annual Message of Governor Connelly to Legislature, December 6, 1864

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Addressing “Gentlemen of the Council And House of Representatives,” Henry Connelly writes:

The mind of man is a mighty maze in which is engendered, not only the more amiable qualities of the heart, those which teach us charity towards our fellow-beings, and amiabilities of social life, but it is also the laboratory from which do sometimes issue the effects of passion, that lead to the unhappiness of the human race. Pride, envy, egotism, malevolence, and ambition, so unamiable in private life, frequently become criminal when carried into the discharge of public duties.

Connelly continues:

The exercise of these virtues is as essential in legislation as it is in the intercourse of social life. Courtesy in discussion, charity and consideration, with respect to the motives and intentions of your associates, and harmony in your councils, cannot fail to result in honor to yourselves and in benefit to the public.

‘A Melancholy Catalogue of Events’: Highlights from Territorial Papers of the United States

What makes a primary source interface a GREAT interface?

When Readex recently posed this question to a wide range of researchers, we heard four crucial things:

  • Modern styling—researchers want primary source databases that are visually engaging and feel “right”
  • Ease of use—both experts and novices want their path to primary sources to be simple and intuitive
  • Speed!—software must search quickly, deliver relevant results in a blink, and rapidly display large images
  • Flexible tools that optimize content use and which map to common user needs and workflows.

With this feedback front and center, Readex has been busy making fresh improvements to its interfaces.

Two months ago I had the pleasure of announcing a major overhaul of the America’s Historical Newspapers and World Newspaper Archive platform. User reaction has been extremely positive, and it’s gratifying to see more usage and better research outcomes.

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We’ve already saved many users a substantial amount of time, too, by introducing a number of efficiencies to the interface.

Of course the work is never done, nor should it be. It’s important to stay abreast of needs and to make continuous improvements to our interfaces and services.

During the past several months we’ve been focusing on the fourth bullet above—“flexible tools that optimize content use.” Much of our effort has focused on enhancing the “document view” experience (sometimes called the “image viewer”) in our products. This is where users encounter the actual primary source in image form.

Throughout 2018, we met with users and asked them about the image viewer. Here’s what they said:

What makes a primary source interface a GREAT interface?

Secrets, Deception and Thwarted Love: Comediettas in Nineteenth-Century American Drama

Hundreds of plays in Nineteenth-Century American Drama are designated as comedies in their titles. Of these, there are scores of scripts subtitled as comedietta which oxforddictionaries.com defines as “a short comedy, typically light-hearted or farcical in tone or subject matter.” Some common themes are entwined in most comediettas. As seen in these examples, these themes include mistaken identity (accidental or deliberate), talking at cross purposes and other miscommunications, inheritances with conditions, and love triumphant.


Miss Madcap: A Comedietta in One Act

By Charles Townsend

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This comedy concerns a will with conditions that necessitate deception. When the curtain rises, Clara is sorting through her mail, opening a letter from her father. She reads it aloud.

“My dear daughter. Your aunt Charlotte is dead. She leaves her fortune to your cousin, Augustus Everson, and yourself—provided you two marry. If either of you refuse to marry, the property goes to the other. I have just seen Augustus. He looks like a dude, but he will hardly throw away a fortune by refusing to marry you, and, although he is a bitter pill—well, suit yourself. He is coming to see you. As ever, your loving father.”

Secrets, Deception and Thwarted Love: Comediettas in Nineteenth-Century American Drama

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