American Literature

New 1-Minute Video about American Pamphlets, 1820-1922: "A remarkable product" (Library Journal)

Created to cajole, convince and inform Americans on nearly every issue of the day, pamphlets had a powerful impact on 19th-century life in the United States. Now a unique digital resource provides more than 25,000 fully searchable pamphlets from across the country. Revealing passionate views and perspectives not seen in other print genres, these rare items address many of today's most heavily researched topics.

Learn more in this short new video:


Discussing this collection, Library Journal writes:

With unique content combined with the superb quality and accessibility, American Pamphlets, Series 1, 1820–1922, is a remarkable product. It will serve researchers from high school to postdoctoral studies and beyond. Large public and university libraries will be interested, and other institutions serving scholars in American politics, history, culture, gender and ethnic issues, religion, and education should consider.

Reference Reviews says:

A unique snapshot of contemporary societal thoughts and concerns….The Readex American Pamphlets collection is an excellent database for researchers and university students. It provides a delightful snapshot of contemporaneous views and thoughts on a variety of topics from the cultural to the political.

And Choice adds:

Pamphlets are…notoriously hard to collect, arrange, and catalog….Having more than 25,000 of these rare items available online for close inspection is a great thing.

New 1-Minute Video about American Pamphlets, 1820-1922: "A remarkable product" (Library Journal)

Readex introduces new digital collections for both STEM and humanities courses

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Readex is pleased to announce a diverse array of new digital collections for teaching and research across the humanities and increasingly studied STEM fields. To learn more, visit Readex at booth 2525 during the American Library Association annual conference or use the links below to request more information.

Origins of Modern Science and Technology

Global Perspectives from the CIA Archives

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Featuring these five individually available products:

Computing and Artificial Intelligence

Global Origins of the Digital Age

Climate Science and Sustainability

Global Origins of Modern Environmentalism

Aeronautics and Space Flight

Global Origins of Modern Aviation and Rocketry

Morality and Science

Global Origins of Modern Bioethics

Nuclear Energy

Global Origins of Energy Resource Management in the Atomic Age



Readex introduces new digital collections for both STEM and humanities courses

“Humbugs and fol-de-rols!”: Highlights from Nineteenth-Century American Drama

This final release of plays from Nineteenth-Century American Drama includes a devastating assault on Abraham Lincoln, an all-female cast in a courtroom drama meant to ridicule women, and a “Negro sketch in two scenes.”

The Royal Ape. By William Russell Smith (1863)



William Russell Smith was a U.S. congressman from Alabama who served from 1851 to 1857. He subsequently served as a member of the first and second Confederate Congresses. Smith was not the first, nor the last, to describe Lincoln as a simian. He wrote this “dramatic poem” after the Union’s defeat in the Battle of Manassas as the South preferred to call what the North called the First Battle of Bull Run. It is dated January 1, 1863, in anticipation of President Lincoln’s Emancipation Proclamation.

Smith’s cast of characters—with the exception of two former slaves, two White House maids, and extras including officers, soldiers, citizens, and senators—are all prominent politicians and generals of the time. In following the action of the play, knowledge of the actual events of the time provides some perspective.

Act I, Scene I, occurs in the White House on the eve of the battle which Smith refers to as Manassas. We discover Mrs. Lincoln and her son Robert who would have been age 20. He has just returned from the House of Representatives and describes with gusto a physical fight that had broken out there.

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“Humbugs and fol-de-rols!”: Highlights from Nineteenth-Century American Drama

“The Drama Is—Rubbish”: The Early Impact of ‘The Black Crook,’ the Shocking and Scandalous American Musical


“The Black Crook”—the progenitor of spectacular theater in the United States—opened at Niblo’s Garden, a 3,000-seat New York City playhouse, on September 12, 1866. Whether this American musical can be called the country’s first, “The Black Crook” had an immense impact on the future of popular entertainment in the U.S.  Its initial production ran for nearly 500 performances and created a nationwide mania, stimulated by the clergy who railed against its abundant display of female pulchritude.


In his preface to “The Naked Truth!”: An Inside History of The Black Crook (1897), digitized from the holdings of the New-York Historical Society and found in American Pamphlets, Joseph Whitton wrote:

It is curious that the history of the Black Crook—the pioneer of the American Spectacular Drama, and greater in tinseled gorgeousness and money-drawing power than any of its followers—should never have been told, or, rather, truthfully told.

Whitton by his own account had a “connection with the financial department of Niblo’s Garden, previous to the production and during the run of the Crook,” which “enables him to know the facts…”

“The Drama Is—Rubbish”: The Early Impact of ‘The Black Crook,’ the Shocking and Scandalous American Musical

Secrets, Deception and Thwarted Love: Comediettas in Nineteenth-Century American Drama

Hundreds of plays in Nineteenth-Century American Drama are designated as comedies in their titles. Of these, there are scores of scripts subtitled as comedietta which defines as “a short comedy, typically light-hearted or farcical in tone or subject matter.” Some common themes are entwined in most comediettas. As seen in these examples, these themes include mistaken identity (accidental or deliberate), talking at cross purposes and other miscommunications, inheritances with conditions, and love triumphant.

Miss Madcap: A Comedietta in One Act

By Charles Townsend

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This comedy concerns a will with conditions that necessitate deception. When the curtain rises, Clara is sorting through her mail, opening a letter from her father. She reads it aloud.

“My dear daughter. Your aunt Charlotte is dead. She leaves her fortune to your cousin, Augustus Everson, and yourself—provided you two marry. If either of you refuse to marry, the property goes to the other. I have just seen Augustus. He looks like a dude, but he will hardly throw away a fortune by refusing to marry you, and, although he is a bitter pill—well, suit yourself. He is coming to see you. As ever, your loving father.”

Secrets, Deception and Thwarted Love: Comediettas in Nineteenth-Century American Drama

Illuminating Our Own Moment (Nineteenth-Century American Drama): A Conversation with Professor Amy E. Hughes

Amy E. Hughes is Associate Professor of Theater History and Criticism at Brooklyn College (CUNY). In this January 2019 interview, she discusses how the study of theater deepens our understanding of history and society; what happens in the classroom when students use these kinds of primary sources; and what the digitization of collections like Nineteenth-Century America Drama has meant to her.



Prof. Hughes’ first book, Spectacles of Reform: Theater and Activism in Nineteenth-Century America, received the 2013 Barnard Hewitt Award from the American Society for Theatre Research. Her latest book is A Player and a Gentleman: The Diary of Harry Watkins, Nineteenth-Century U.S. American Actor (2018), a critical and digital edition of the pre-Civil War diary of actor-playwright Harry Watkins, coedited with Naomi J. Stubbs.

For more information about Nineteenth-Century American Drama, please contact Readex Marketing.

Illuminating Our Own Moment (Nineteenth-Century American Drama): A Conversation with Professor Amy E. Hughes

“He saw the folly of it, and died”: Highlights from Nineteenth-Century American Drama

There are over 200 scripts whose authorship is credited to Anonymous in Nineteenth-Century American Drama: Popular Culture and Entertainment, 1820-1900. An examination of these titles suggests several categories into which many of these can be sorted. Thirty of these are “Ethiopian” or other less cautious euphemisms. Others are meant for school exercises or home entertainment, while still others are the scripts of unique college or club, church, and charity productions. Some of the dramas seem to have been commissioned for specific celebrations, usually political or historical. There are also scripts that deal with sensitive or social issues that were controversial in their time. These are among the most interesting plays attributed to Anonymous.

The Lost Spade; or, The Grave Digger’s Revenge (1864)


This political drama was published when the American Civil War still raged. The title page offers a further subtitle: “A great political, martial, serio-comic legendary, romantic and farcial [sic] drama.” It also notes that it was “Written by the Happy Democratic Family, expressly for the Peace Democracy.” The Peace Democracy refers to the Copperheads who were also called Peace Democrats. These Democrats were opposed to the war and favored appeasing the Confederacy. In 1864 prominent Copperheads were put on trial for treason.

Because this script focuses on this dissident bloc of northern Democrats, some of whom were prone to violence, the author may well have had sufficient reason to write anonymously. He provides staging directions and a cast list.

“He saw the folly of it, and died”: Highlights from Nineteenth-Century American Drama

‘Dramatic Effects’: 19th-Century Theater as Epicenters of Social Networking

Think about this word: melodrama. What image comes to mind?

Brooklyn College theater historian Amy E. Hughes began her presentation at the 2019 American Library Association Midwinter Meeting with that short thought experiment, asking attendees to picture melodrama.

Did you “see” what they did?


Many in the audience had envisioned something akin to the “Railroad Rescue,” a scene that originated in Augustin Daily’s Under the Gaslight, a popular play which premiered in New York City in 1867. But as Hughes would reveal, the “Railroad Sensation”—as it was called then—has a “surprisingly complicated and convoluted history.” View the full presentation.

Throughout her talk, titled “Dramatic Effects: The Impact of Theater on 19th-Century U.S. Culture and Society,” Prof. Hughes provided a fascinating overview of the 19th-century theater industry. She shared some of the discoveries her recent research has reWatkins sm.jpgvealed, and she unpacked the little-known history of that “Railroad Rescue,” pointing out its significant political and social factors.

‘Dramatic Effects’: 19th-Century Theater as Epicenters of Social Networking

'Great Suds and Seeds!' Three Full-Length Plays by American Writers



Previous monthly release announcements of Nineteenth-Century American Drama: Popular Culture and Entertainment, 1820-1900, have primarily highlighted one-act plays. This has not been by design. Although there are hundreds of short works in this digital collection—including farces, comediettas, black sketches, and plays intended for home or private performances—many multi-act plays may also be found. Three longer scripts are highlighted below.

The County Fair: A Comedy in Four Acts

By Charles Barnard and Neil Burgess

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Substantial biographical information about Charles Barnard is not readily found. provides the following: “Barnard, Charles. An American journalist and author; born in Boston, Feb. 13, 1838; died in 1920. His most popular play is ‘The County Fair’ (1888). Author of ‘The Tone-Masters’ (New York, 1871); ‘Knights of Today’ (1881); ‘The Whistling Buoy’ (1887); dramas, and books on gardening and electricity.” The Library of Congress does not reference his playwriting but credits him with a book entitled Mozart and Mendelssohn.

'Great Suds and Seeds!' Three Full-Length Plays by American Writers

“A fantastic resource” – 1-Minute Video about Bawdy U.S. Newspapers of the 19th Century

The appearance of the terms “licentious” and “licentiousness” in American periodicals rose dramatically in the early 1840s in tandem with the rise of the unruly urban newspapers collectively called the Flash Press. Now a unique collection of this short-lived form of journalism, created from the exceptional holdings of the American Antiquarian Society, is available in digital form.

Learn more about the Flash Press in this new 1-Minute Video:


Discussing this collection, the scholar Robert Wilhelm, author of The Bloody Century: True Tales of Murder in 19th Century America, writes:

These 19th-century papers provide a missing link—a sympathetic view of the demimonde, appealing to a literate, urban and mostly male audience to balance the moralistic tone taken by mainstream publications of the time. While I was aware these papers existed, I had no idea how many different titles had been published and how many issues have survived. To have them all available in one place, carefully digitized and easily searchable, is invaluable. I was especially impressed by the quality of the illustrations which were often as important as the text in these publications and are as pleasing to contemporary readers as they were to rakes and sporting men. American Underworld: The Flash Press offers a unique perspective for scholars of American vice and crime as well as researchers in other scholarly areas such as urban life and women’s studies.

“A fantastic resource” – 1-Minute Video about Bawdy U.S. Newspapers of the 19th Century


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