The March release of The American Civil War Collection, 1860-1922: From the American Antiquarian Society includes speeches delivered in a Massachusetts church exalting the nation, in the Tennessee House of Representatives describing a conspiracy that divided the country, and in the U.S. Senate asking a fundamental question of the country’s citizenry.
De Profundis Clamavi: The Cause, the Crime, and the Cure of our National Suicide (1861)
By Daniel Steele
On September 26, 1861, five months after the Civil War began, Pastor Daniel Steele (1824-1914) gave a sermon celebrating nationalism.
Nationality magnifies and exalts the insignificant individual, crowns him with dignity and honor, throws an arm of protecting power about him, and holds a broad shield over his defenseless head.
Steele then presents the first of several comparisons he uses to illustrate American superiority.
The February release of The American Civil War Collection, 1860-1922: From the American Antiquarian Society includes three congressional speeches from 1862 in support of legislation that would allow the confiscation of rebel property and the emancipation of their slaves.
The Constitutionality and Expediency of Confiscation Vindicated
Speech of Hon. Lyman Trumbull of Illinois
Lyman Trumbull (1813-1896) served as the Illinois Secretary of State, sat on the bench of the Illinois Supreme Court, was elected to the U.S. Senate, and co-wrote the Thirteenth Amendment.
On April 7, 1862, Trumbull offered two minor amendments to a “bill to confiscate the property and free the slaves of rebels” before directing his attention to the opposition’s attacks on the bill.
Previous monthly release announcements of Nineteenth-Century American Drama: Popular Culture and Entertainment, 1820-1900, have primarily highlighted one-act plays. This has not been by design. Although there are hundreds of short works in this digital collection—including farces, comediettas, black sketches, and plays intended for home or private performances—many multi-act plays may also be found. Three longer scripts are highlighted below.
The County Fair: A Comedy in Four Acts
By Charles Barnard and Neil Burgess
Substantial biographical information about Charles Barnard is not readily found. Bartleby.com provides the following: “Barnard, Charles. An American journalist and author; born in Boston, Feb. 13, 1838; died in 1920. His most popular play is ‘The County Fair’ (1888). Author of ‘The Tone-Masters’ (New York, 1871); ‘Knights of Today’ (1881); ‘The Whistling Buoy’ (1887); dramas, and books on gardening and electricity.” The Library of Congress does not reference his playwriting but credits him with a book entitled Mozart and Mendelssohn.
The December release of The American Civil War Collection, 1860-1922: From the American Antiquarian Society includes an array of primary source material. These valuable items range from shorter imprints, such as sermons delivered during the war, to lengthier political histories and biographies published years later.
Our Duty Under Reverse: A Sermon (1861)
By John Fothergill Waterhouse Ware
One week after the First Battle of Bull Run, Unitarian clergyman John Fothergill Waterhouse Ware (1818-1881) delivered this sermon in the Boston church of “Cambridgeport Parish.” He begins by acknowledging the favor Providence has shown the country, and then addresses the nation’s failure to live up to the duties accompanying that blessing. He identifies the fault that led to the country’s current conflict.
Among the playwrights in Nineteenth-Century American Drama there are scores of women. The genres of their plays are as varied as those of their male counterparts, although more of the works for children and classrooms are by women. Many of the temperance plays are by women which is not surprising given the prominent role of women in the temperance movement. Some of the women were prolific. Still, it is more difficult to find biographical information about many of the female playwrights.
Little seems to be recorded about the life of Clara Harriet Sherwood, author of three plays included in this digital collection. These three plays all signal an acute social awareness and a ready wit. As with many other women dramatists, Sherwood is concerned with the social nuances of courtship.
On Sunday, January 27, Readex will host a special breakfast presentation titled “Dramatic Effects: The Impact of Theater on 19th-Century U.S. Culture and Society.” An open discussion will follow the talk by Amy E. Hughes, Associate Professor of Theater History and Criticism at Brooklyn College.
About the Presentation
From Harriet Beecher Stowe’s Uncle Tom’s Cabin to Lin-Manuel Miranda’s Hamilton: An American Musical, U.S. theater has inspired fervent passion and intense loyalty in those who enjoy and study it. As architecture and activity, edifice and event, refuge and recreation, the theater is deeply beloved.
In this engaging talk, Prof. Amy Hughes—a leading authority on American drama—reveals some of the chaotic complexities of 19th-century theater culture. She brings to life the eclectic amusements staged in playhouses, the diverse work and workers involved, the dynamic camaraderie that sustained theatrical communities, and the lasting influence and impact of its most popular spectacles. To understand 19th-century theater fully, she argues, researchers must read surviving dramas and ephemera against the grain and between the lines.
The November release of Early American Imprints, Series II: Supplement 3 from the American Antiquity Society includes an olio of rare imprints which are representative of the overall collection. Highlighted here are an advertisement for a mineral springs resort, a broadside promoting an evening’s theatrical entertainment, and another broadside reporting on the meeting of the Republican Party in New York City and county.
The proprietor of the beautiful and interesting situation above represented, and of the mineral springs connected with it, informs his friends and the public at large, that he has in the course of the last season, greatly extended his establishment. (1815)
This imprint is adorned with a handsome intaglio print which presents a restful view of the Connecticut resort. The proprietor, Samuel Willard, has made what may be extravagant claims about the efficacy of his mineral springs.
For nearly fifty years past, the Mineral Waters of Stafford have been held in high estimation as a remedy in various complaints, affecting the human body. They are a rich and powerful chalybeate.
The November release of The American Civil War Collection, 1860-1922: From the American Antiquarian Society includes a speech on the limitations of citizens to change the federal government, a defense of pacifism, and an abolitionist’s autobiography.
The Rebellion Cannot Abate the State Governments (1862)
Speech of Hon. A.G. Riddle, of Ohio, in the House of Representatives, May 20, 1862
Mr. Speaker, in the wide sea and chaos of blood, tears, and convulsion, the bare, barren, dry land begins to loom up, and the great end to appear. Soon the patient statistician will gather up his facts, and by his tables will show us the exact thousands of lives squandered in this wide waste, and the innumerable millions of substance consumed in the great conflagration. The curious and industrious annalist will swell his huge volumes of the amazing incidents whose frequent recurrence has robbed us of the power of being astonished even. The moralist will go forth in melancholy to mourn the wide-spread licentiousness and demoralization growing out of this huge war, whose irradicable ulcers shall be the last to cicatrize.
This most recent release of Early American Imprints, Series II: Supplement 3 from the American Antiquarian Society includes a number of the rarest American broadsides from 200 years ago. These range from the pathos of an honorable man’s petition to the court for protection from his creditors to a peculiar promotion for an evening of entertainment in Augusta, Georgia.
To the Honorable Superior Court to be held at Hartford....The Petition of George Robinson, of Marlborough, in the County of Hartford, humbly sheweth— (1817)
In the early 19th century it was not unusual for an indebted person to publish a broadside acknowledging his debts and his creditors. George Robinson of Connecticut did exactly that in 1817. Of interest is his specificity and the striking contrasts in the amounts he owed to contemporary creditor. The largest debts were “Orlando Raymond two thousand five hundred dollars” and several for one or two hundred dollars. Many of his obligations were for a few dollars and sometimes for ten and twenty dollars. Robinson appears to support his claim to integrity in the details he provides.
The most recent release of Nineteenth-Century American Drama includes most of the short plays, or comediettas in one act, by the prolific Frances Aymar Mathews. This understudied author was born in New York City in the middle of the 19th-century. She began publishing in the 1880s. In addition to plays, her written output included feature articles, short stories and such novels as My Lady Peggy Goes to Town and Allee Same.
Eighteen of Mathews’ shorter plays are included in this release. When reading her works, Edith Wharton comes to mind. They were contemporaries, shared a Manhattan upbringing during the Gilded Age, and were sensitive to class distinctions and social niceties. It may be something of a stretch to compare Mathews to Jane Austen, but both women are close observers of the foibles of the prosperous and employ a satirical view of them. There is one more comparison to make, to wit, William Dean Howells. Again, this may be a stretch, but the famous Howells and the obscure Mathews wrote short plays which, as previously noted here, featured wealthy people with ample time to expand upon largely trivial events.