Historical Imprints


New 1-Minute Video about American Pamphlets, 1820-1922: "A remarkable product" (Library Journal)

Created to cajole, convince and inform Americans on nearly every issue of the day, pamphlets had a powerful impact on 19th-century life in the United States. Now a unique digital resource provides more than 25,000 fully searchable pamphlets from across the country. Revealing passionate views and perspectives not seen in other print genres, these rare items address many of today's most heavily researched topics.

Learn more in this short new video:

 

Discussing this collection, Library Journal writes:

With unique content combined with the superb quality and accessibility, American Pamphlets, Series 1, 1820–1922, is a remarkable product. It will serve researchers from high school to postdoctoral studies and beyond. Large public and university libraries will be interested, and other institutions serving scholars in American politics, history, culture, gender and ethnic issues, religion, and education should consider.

Reference Reviews says:

A unique snapshot of contemporary societal thoughts and concerns….The Readex American Pamphlets collection is an excellent database for researchers and university students. It provides a delightful snapshot of contemporaneous views and thoughts on a variety of topics from the cultural to the political.

And Choice adds:

Pamphlets are…notoriously hard to collect, arrange, and catalog….Having more than 25,000 of these rare items available online for close inspection is a great thing.

New 1-Minute Video about American Pamphlets, 1820-1922: "A remarkable product" (Library Journal)

Readex introduces new digital collections for both STEM and humanities courses

ALA Booth 2525.JPG

Readex is pleased to announce a diverse array of new digital collections for teaching and research across the humanities and increasingly studied STEM fields. To learn more, visit Readex at booth 2525 during the American Library Association annual conference or use the links below to request more information.


Origins of Modern Science and Technology

Global Perspectives from the CIA Archives

Request Info

Origins family.JPG

Featuring these five individually available products:

Computing and Artificial Intelligence

Global Origins of the Digital Age

Climate Science and Sustainability

Global Origins of Modern Environmentalism

Aeronautics and Space Flight

Global Origins of Modern Aviation and Rocketry

Morality and Science

Global Origins of Modern Bioethics

Nuclear Energy

Global Origins of Energy Resource Management in the Atomic Age

 


 

Readex introduces new digital collections for both STEM and humanities courses

“Humbugs and fol-de-rols!”: Highlights from Nineteenth-Century American Drama

This final release of plays from Nineteenth-Century American Drama includes a devastating assault on Abraham Lincoln, an all-female cast in a courtroom drama meant to ridicule women, and a “Negro sketch in two scenes.”


The Royal Ape. By William Russell Smith (1863)

The_royal_ape_A_dramatic_poem__1863.jpg

 

William Russell Smith was a U.S. congressman from Alabama who served from 1851 to 1857. He subsequently served as a member of the first and second Confederate Congresses. Smith was not the first, nor the last, to describe Lincoln as a simian. He wrote this “dramatic poem” after the Union’s defeat in the Battle of Manassas as the South preferred to call what the North called the First Battle of Bull Run. It is dated January 1, 1863, in anticipation of President Lincoln’s Emancipation Proclamation.

Smith’s cast of characters—with the exception of two former slaves, two White House maids, and extras including officers, soldiers, citizens, and senators—are all prominent politicians and generals of the time. In following the action of the play, knowledge of the actual events of the time provides some perspective.

Act I, Scene I, occurs in the White House on the eve of the battle which Smith refers to as Manassas. We discover Mrs. Lincoln and her son Robert who would have been age 20. He has just returned from the House of Representatives and describes with gusto a physical fight that had broken out there.

The_royal_ape_A_dramatic_poem__1863 2.jpg

“Humbugs and fol-de-rols!”: Highlights from Nineteenth-Century American Drama

“The Drama Is—Rubbish”: The Early Impact of ‘The Black Crook,’ the Shocking and Scandalous American Musical

640px-Kiralfy_Bros__Black_crook__LCCN2014636787.jpg

“The Black Crook”—the progenitor of spectacular theater in the United States—opened at Niblo’s Garden, a 3,000-seat New York City playhouse, on September 12, 1866. Whether this American musical can be called the country’s first, “The Black Crook” had an immense impact on the future of popular entertainment in the U.S.  Its initial production ran for nearly 500 performances and created a nationwide mania, stimulated by the clergy who railed against its abundant display of female pulchritude.

_The_naked_truth_An_inside_history_of_the_Black__1897.jpg

In his preface to “The Naked Truth!”: An Inside History of The Black Crook (1897), digitized from the holdings of the New-York Historical Society and found in American Pamphlets, Joseph Whitton wrote:

It is curious that the history of the Black Crook—the pioneer of the American Spectacular Drama, and greater in tinseled gorgeousness and money-drawing power than any of its followers—should never have been told, or, rather, truthfully told.

Whitton by his own account had a “connection with the financial department of Niblo’s Garden, previous to the production and during the run of the Crook,” which “enables him to know the facts…”

“The Drama Is—Rubbish”: The Early Impact of ‘The Black Crook,’ the Shocking and Scandalous American Musical

Secrets, Deception and Thwarted Love: Comediettas in Nineteenth-Century American Drama

Hundreds of plays in Nineteenth-Century American Drama are designated as comedies in their titles. Of these, there are scores of scripts subtitled as comedietta which oxforddictionaries.com defines as “a short comedy, typically light-hearted or farcical in tone or subject matter.” Some common themes are entwined in most comediettas. As seen in these examples, these themes include mistaken identity (accidental or deliberate), talking at cross purposes and other miscommunications, inheritances with conditions, and love triumphant.


Miss Madcap: A Comedietta in One Act

By Charles Townsend

Miss_Madcap_A_comedietta_in_one_act__1890 (1 of 1)_Page_01.jpg

This comedy concerns a will with conditions that necessitate deception. When the curtain rises, Clara is sorting through her mail, opening a letter from her father. She reads it aloud.

“My dear daughter. Your aunt Charlotte is dead. She leaves her fortune to your cousin, Augustus Everson, and yourself—provided you two marry. If either of you refuse to marry, the property goes to the other. I have just seen Augustus. He looks like a dude, but he will hardly throw away a fortune by refusing to marry you, and, although he is a bitter pill—well, suit yourself. He is coming to see you. As ever, your loving father.”

Secrets, Deception and Thwarted Love: Comediettas in Nineteenth-Century American Drama

Illuminating Our Own Moment (Nineteenth-Century American Drama): A Conversation with Professor Amy E. Hughes

Amy E. Hughes is Associate Professor of Theater History and Criticism at Brooklyn College (CUNY). In this January 2019 interview, she discusses how the study of theater deepens our understanding of history and society; what happens in the classroom when students use these kinds of primary sources; and what the digitization of collections like Nineteenth-Century America Drama has meant to her.

 

 

Prof. Hughes’ first book, Spectacles of Reform: Theater and Activism in Nineteenth-Century America, received the 2013 Barnard Hewitt Award from the American Society for Theatre Research. Her latest book is A Player and a Gentleman: The Diary of Harry Watkins, Nineteenth-Century U.S. American Actor (2018), a critical and digital edition of the pre-Civil War diary of actor-playwright Harry Watkins, coedited with Naomi J. Stubbs.


For more information about Nineteenth-Century American Drama, please contact Readex Marketing.

Illuminating Our Own Moment (Nineteenth-Century American Drama): A Conversation with Professor Amy E. Hughes

“He saw the folly of it, and died”: Highlights from Nineteenth-Century American Drama

There are over 200 scripts whose authorship is credited to Anonymous in Nineteenth-Century American Drama: Popular Culture and Entertainment, 1820-1900. An examination of these titles suggests several categories into which many of these can be sorted. Thirty of these are “Ethiopian” or other less cautious euphemisms. Others are meant for school exercises or home entertainment, while still others are the scripts of unique college or club, church, and charity productions. Some of the dramas seem to have been commissioned for specific celebrations, usually political or historical. There are also scripts that deal with sensitive or social issues that were controversial in their time. These are among the most interesting plays attributed to Anonymous.


The Lost Spade; or, The Grave Digger’s Revenge (1864)

The_Lost_Spade_or_The_grave_diggers_revenge.__1864.jpg

This political drama was published when the American Civil War still raged. The title page offers a further subtitle: “A great political, martial, serio-comic legendary, romantic and farcial [sic] drama.” It also notes that it was “Written by the Happy Democratic Family, expressly for the Peace Democracy.” The Peace Democracy refers to the Copperheads who were also called Peace Democrats. These Democrats were opposed to the war and favored appeasing the Confederacy. In 1864 prominent Copperheads were put on trial for treason.

Because this script focuses on this dissident bloc of northern Democrats, some of whom were prone to violence, the author may well have had sufficient reason to write anonymously. He provides staging directions and a cast list.

“He saw the folly of it, and died”: Highlights from Nineteenth-Century American Drama

‘The Corrupt and Imbecile Administration’: Highlights from The American Civil War Collection, 1860-1922

The March release of The American Civil War Collection, 1860-1922: From the American Antiquarian Society includes speeches delivered in a Massachusetts church exalting the nation, in the Tennessee House of Representatives describing a conspiracy that divided the country, and in the U.S. Senate asking a fundamental question of the country’s citizenry.


De Profundis Clamavi: The Cause, the Crime, and the Cure of our National Suicide (1861)

By Daniel Steele

Steele Title Page.jpg

On September 26, 1861, five months after the Civil War began, Pastor Daniel Steele (1824-1914) gave a sermon celebrating nationalism.

Nationality magnifies and exalts the insignificant individual, crowns him with dignity and honor, throws an arm of protecting power about him, and holds a broad shield over his defenseless head.

Steele then presents the first of several comparisons he uses to illustrate American superiority.

‘The Corrupt and Imbecile Administration’: Highlights from The American Civil War Collection, 1860-1922

‘Void of Sincerity’: Highlights from The American Civil War Collection, 1860-1922

The February release of The American Civil War Collection, 1860-1922: From the American Antiquarian Society includes three congressional speeches from 1862 in support of legislation that would allow the confiscation of rebel property and the emancipation of their slaves.


The Constitutionality and Expediency of Confiscation Vindicated

Speech of Hon. Lyman Trumbull of Illinois

Trumbull Title Page.jpg

Lyman Trumbull (1813-1896) served as the Illinois Secretary of State, sat on the bench of the Illinois Supreme Court, was elected to the U.S. Senate, and co-wrote the Thirteenth Amendment.

On April 7, 1862, Trumbull offered two minor amendments to a “bill to confiscate the property and free the slaves of rebels” before directing his attention to the opposition’s attacks on the bill.

‘Void of Sincerity’: Highlights from The American Civil War Collection, 1860-1922

'Great Suds and Seeds!' Three Full-Length Plays by American Writers

 

Drama.JPG

Previous monthly release announcements of Nineteenth-Century American Drama: Popular Culture and Entertainment, 1820-1900, have primarily highlighted one-act plays. This has not been by design. Although there are hundreds of short works in this digital collection—including farces, comediettas, black sketches, and plays intended for home or private performances—many multi-act plays may also be found. Three longer scripts are highlighted below.


The County Fair: A Comedy in Four Acts

By Charles Barnard and Neil Burgess

The_county_fair_A_comedy_in_four_acts__1922 (1 of 1)_Page_2.jpg

Substantial biographical information about Charles Barnard is not readily found. Bartleby.com provides the following: “Barnard, Charles. An American journalist and author; born in Boston, Feb. 13, 1838; died in 1920. His most popular play is ‘The County Fair’ (1888). Author of ‘The Tone-Masters’ (New York, 1871); ‘Knights of Today’ (1881); ‘The Whistling Buoy’ (1887); dramas, and books on gardening and electricity.” The Library of Congress does not reference his playwriting but credits him with a book entitled Mozart and Mendelssohn.

'Great Suds and Seeds!' Three Full-Length Plays by American Writers

Pages


Back to top