American History


A Video Preview of the Digital Edition of the Territorial Papers of the United States

Since the early 1940s, Readex has been the leading innovator in the publication of historical American resources. We started our work with massive projects, including Early American Imprints, based on the Evans and Shaw-Shoemaker bibliographies, and Early American Newspapers.

Back then, the medium was microprint and then microform, and it often took ten…or twenty…or thirty years to complete a single product. Many source institutions had to be visited; many documents had to be filmed; and many license agreements had to be drawn up. New technologies had to be developed, too, to ensure that the original images were captured as effectively as possible. These early major collections later became online digital offerings, of course. The ones mentioned above proved to be absolutely foundational back in the early days of digitization.

Today, Readex is extremely proud to be the developer of one more foundational product: Territorial Papers of the United States. This new collection—which we are releasing in four series beginning in June 2018—captures the essential history of more than half of the states of the United States when they were still territories. From Florida to California to Alaska and just about everywhere else in between, Territorial Papers is the crucial—and until now, undigitized—record of a growing, expanding America.

A Video Preview of the Digital Edition of the Territorial Papers of the United States

‘The Hard Pillow of the Dying Hero’: Highlights from The American Civil War Collection

This month’s release of imprints from The American Civil War Collection, 1860-1922: From the American Antiquarian Society includes the personal account of a formidable nurse and her care of wounded and dying Union Army soldiers, an address to a reunion of Confederate veterans in 1895, and a first-person description of a southern woman’s travails in a Union prison in the post-war era.


In Hospital and Camp: A Woman’s Record of Thrilling Incidents among the Wounded in the Late War (1869)

By Sophronia E. Bucklin

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Sophronia Bucklin (1828-1902) was an unmarried seamstress born in 1828 and living in upstate New York when the war began. She was determined to serve, as her opening paragraph of this account makes clear.

When, in the complexity of national affairs, it became necessary for armed men to assemble in multitudes, to become exposed to the hardships and privations of camps and deadly peril of battle fields, there arose the same necessity for woman to lend her helping hand to bind up the wounds of the shattered soldier, and smooth the hard pillow of the dying hero.

She met her mission, and her tireless work did not go unnoticed although she may not be as well remembered as Dorothea Dix or Clara Barton. Someone using the initials S.L.C. has written an introduction to this imprint in which she cites Bucklin as the embodiment of countless women of courage and forbearance.

‘The Hard Pillow of the Dying Hero’: Highlights from The American Civil War Collection

‘The Village of Innocence’: Rare Early 19th-Century Children’s Books from the American Antiquarian Society

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Early American Imprints, Series II: Supplement 3 from the American Antiquarian Society makes available more than 1,700 rare and unique publications printed between 1801 and 1819. Included in the newest release, and highlighted below, are several illustrated works of juvenile literature intended to instruct and uplift.


A Premium (1803)

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It can be striking to observe how many stories for children used to refer to death occasionally to attribute it as a naughty youngster’s fate . A verse of the poem which opens this tale:

Do whate’er thy hand shall find,

With all thy might with all thy mind,

Now in works of love abound,

None can in the grave be found.

This somber poem is followed by another titled “On the Death of a Favorite Cat.” The ensuing illustration depicts three children pointing to a dead cat which had been hanged from a branch. This cat had been enticed by a trap set to catch a fox.

The text includes a sprinkling of aphorisms, including:

He that is his own appraiser, will be disappointed in the value.

‘The Village of Innocence’: Rare Early 19th-Century Children’s Books from the American Antiquarian Society

Leading Andrew Jackson Authority Explores Shifting Views About a Controversial U.S. President [VIDEO]

For nearly a century after his death in 1845, Andrew Jackson was held up as a beacon of successful leadership—an American icon whom students were taught to regard with unabashed pride. During his lifetime, the seventh president of the United States was bestowed with such admirable identities as: 

Jackson for blog post.jpgThe Hero of New Orleans
The Avatar of Democracy
The Defender of the Union
The Point Man of Manifest Destiny
The Champion of the Working Class

Today, many Americans know a very different Andrew Jackson—a slave owner and the architect of Indian removal. 

At a Readex-sponsored breakfast presentation during the American Library Association Midwinter Meeting in Denver, Daniel Feller, the director of The Papers of Andrew Jackson and a history professor at the University of Tennessee in Knoxville, summed it up this way: 

“Andrew Jackson’s reputation has undergone some remarkable somersaults over the years.” 

In his presentation, Feller explored this generational shift and why the nation’s view of Andrew Jackson has changed so dramatically over the decades. 

When historian Arthur M. Schlesinger Jr. published The Age of Jackson in 1945, he devoted a scant two sentences of his book’s 523 pages to Indian affairs. Of Schlesinger’s lack of focus on the topic, Feller insisted the author was not omitting an unpleasant issue to bolster Jackson’s reputation. At the time of Schlesinger’s writing in the mid-20th century, Feller noted, “Indian removal simply didn’t seem that important to [Schlesinger],” nor was it a prominent issue for his readership. 

Leading Andrew Jackson Authority Explores Shifting Views About a Controversial U.S. President [VIDEO]

Black and White Shot Through with Red: Poet Claude McKay Brings the Harlem Renaissance to the Soviet Union

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At the confluence of the period of racial violence known as Red Summer (1919) and the first Red Scare (1917-1920), Jamaica-born poet and journalist Claude McKay merged black anger with radical politics in his most well-known poem, “If We Must Die.”

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McKay’s sonnet initially appeared in the July 1919 issue of The Liberator, a radical socialist magazine published in New York City from 1918-24 by Max and Crystal Eastman. The fame and impact of “If We Must Die” was such that it was soon reprinted as a rallying cry in other progressive magazines such as the September 1919 issue of The Messenger, available in African American Periodicals, 1825-1995.

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Black and White Shot Through with Red: Poet Claude McKay Brings the Harlem Renaissance to the Soviet Union

Announcing New Readex Collections for Spring 2018

Readex is pleased to announce the forthcoming release of these new digital resources:


Territorial Papers of the United States, 1764-1953

Territorial Papers Image for Blog.JPGMore than half of America’s states began as territories. From the 1760s to the 1950s the United States of America expanded southward and westward, acquiring territories that spanned from Florida to California to Alaska. Before they evolved into twenty-seven American states, these territories were managed by the U.S. State and Interior departments. The official history of their formative territorial years is recorded in the “Territorial Papers of the United States”—a collection of Native American negotiations and treaties, official correspondence with the federal government, military records, judicial proceedings, population data, financial statistics, land records, and more. For the first time, the Territorial Papers are available in a digital online collection, offering unparalleled research opportunities for anyone interested in the creation of modern-day America.



Twentieth-Century Global Perspectives

Announcing Five New Modules

Announcing New Readex Collections for Spring 2018

Better Learning, Better Classrooms: Why Newspapers Matter

rapt.jpgAlmost every week I’m asked, “How can we use historical newspapers to teach undergraduates?”

Great question!

Mostly it’s faculty who come to me asking for this advice, but librarians wonder about this, too.

Faculty (mostly professors of history, politics, government, and cultural studies) want to be sure their students have an experience in which they truly “touch history.” There’s also a strong desire to have students work directly with primary sources and draw their own conclusions from the materials they encounter. The objective is to instill knowledge, understanding, and critical-thinking skills. That’s a formula, they all agree, for student success.

Historical newspapers, including Readex’s own America's Historical Newspapers, hit the target in every respect. Here are just a few of the ways:

► Students cannot truly understand an event in America’s past without seeing firsthand and in real-time what people said about it. Newspapers are the only certain vehicle for this.

►Newspapers capture “the voice of the moment,” unprocessed, unfiltered, direct, and raw. Students instantly grasp this fact, which drives interest and excitement. Sometimes it even leads to great student papers and presentations!

►Newspapers offer multiple points of view, often across a time span of many days or months or years. They fit perfectly with assignments that require pro-and-con analysis. They also fit perfectly with assignments that ask students to synthesize multiple arguments across time. Newspapers provide most—and sometimes all—of the material a student needs.

Better Learning, Better Classrooms: Why Newspapers Matter

Lithographs, Life Studies and Pen-Pictures: Rare 19th-Century Visual Representations of the American Civil War

The American Civil War Collection, 1860-1922: From the American Antiquarian Society now includes two little-known works filled with compelling pictorial representations of the war and its troops.  Also newly digitized this month is a heavily illustrated account of the March through Georgia.


Album of the Campaign of 1861 in Western Virginia (1862)

This rare volume includes 20 detailed lithographs by illustrator J. Nep Roesler who served with the 47th Ohio Volunteers. Other than a title under each print, there is no text. 

 

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Lithographs, Life Studies and Pen-Pictures: Rare 19th-Century Visual Representations of the American Civil War

‘The wants and tastes of Southern boys and girls’: Three Scarce Imprints in The American Civil War Collection, 1860-1922

These rare works from The American Civil War Collection, 1860-1922: From the American Antiquarian Society include a game book for children of the Confederacy, a satirical piece devastating to the Copperhead, and a sort of almanac for and paean to Southern women in wartime.


Uncle Buddy’s Gift Book, for the Holidays (1863)

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In his preface, the anonymous author asserts that:

You are aware that the Southern Confederacy is a new Government—that it is formed by the States which separated in 1860-61 from the Northern states of the Confederacy known as the United States of North America, because of the injustice of the people of those Northern States; and that, in consequence of this separation, those people are waging a cruel and unjust war upon the people of this Confederacy. Now, in consequence of this war, our ports being blockaded, and our means of communicating with other countries cut off, we are unable to obtain a great many things to which we were once accustomed. Among these things, are juvenile books, with which our bookstores were wont to be largely supplied during the holidays, but which we cannot now obtain, and must, therefore, either do without, or procure the substitutes that we can.

He offers his book as a worthy substitute, indeed a superior one because:

‘The wants and tastes of Southern boys and girls’: Three Scarce Imprints in The American Civil War Collection, 1860-1922

‘The Privileged Order’: Highlights from Afro-Americana Imprints, 1535-1922

The December release of Afro-Americana Imprints, 1535-1922: From the Library Company of Philadelphia includes three items by women: Elizabeth Cady Stanton, Victoria V. Clayton and Sallie Holley. Each offers a different perspective on America’s peculiar institution.

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Address in Favor of Universal Suffrage for the Election of Delegates to the Constitutional Convention (1867)

By Elizabeth Cady Stanton

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‘The Privileged Order’: Highlights from Afro-Americana Imprints, 1535-1922

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