Prison-life in the Tobacco Warehouse at Richmond by a Ball's Bluff Prisoner, Lieut. Wm. C. Harris, of Col. Baker's California Regiment (1862)
In an earlier release from this collection we featured a walking tour of Richmond, Virginia, during which the narrator observes the prison that had been converted from a tobacco warehouse. This imprint describes life inside that prison. Prisoner Harris gives us his personal recollections and dedicates his reflections:
To my Brother-Prisoners in Richmond these sketches are affectionately inscribed by the author
In his preface the author states his intention:
These sketches were written to lessen the tedium of my lengthy imprisonment; and if they serve to recall to my prison-companions the scenes enacted in the old Warehouse, and enlist the interest and sympathies of the reader, they will have accomplished all that is desired by the publication of them.
These rare works from The American Civil War Collection, 1860-1922: From the American Antiquarian Society include a game book for children of the Confederacy, a satirical piece devastating to the Copperhead, and a sort of almanac for and paean to Southern women in wartime.
Uncle Buddy’s Gift Book, for the Holidays (1863)
In his preface, the anonymous author asserts that:
You are aware that the Southern Confederacy is a new Government—that it is formed by the States which separated in 1860-61 from the Northern states of the Confederacy known as the United States of North America, because of the injustice of the people of those Northern States; and that, in consequence of this separation, those people are waging a cruel and unjust war upon the people of this Confederacy. Now, in consequence of this war, our ports being blockaded, and our means of communicating with other countries cut off, we are unable to obtain a great many things to which we were once accustomed. Among these things, are juvenile books, with which our bookstores were wont to be largely supplied during the holidays, but which we cannot now obtain, and must, therefore, either do without, or procure the substitutes that we can.
He offers his book as a worthy substitute, indeed a superior one because:
For this month’s highlights from The American Civil War Collection, 1860-1922: From the American Antiquarian Society, we have selected two rare works: a Southern almanac and an imprint on the plight of Union veterans made deaf consequent to their service.
Historical Register and Confederates Assistant to National Independence: Containing a discovery for the preservation of Butter, together with other valuable Recipes, and important information for the Soldier, and the People in general throughout the Confederate States of America (1862)
By H.W.R. Jackson
Mr. Jackson authored several books in passionate defense of the Confederate States of America, all of which portrayed the genteel but aggressive determination of the Southerners to triumph over the corrupt, lawless Yankees. The inclusion of the making butter in his title reflects his whole point that the South need no longer depend on the products of the North in order to prosper even in wartime. The imprint is structured somewhat like an almanac presenting statistics and accounts of the war intermixed with recipes, remedies, and agricultural advice.
This month’s release of imprints from The American Civil War Collection, 1860-1922: From the American Antiquarian Society includes two imprints reflecting on events in Richmond, Virginia, following the war. Both publications express sympathetic views of the Confederacy. On a lighter note we focus on a colorfully illustrated picture book for children from the Civil War era.
Robert Edward Lee: An Address Delivered at the Dedication of the Monument to General Robert Edward Lee at Richmond, Virginia, May 29, 1890, by Archer Anderson (1890)
At a time when memorials to the Confederacy and her most prominent soldiers and politicians are under attack by demands to remove them, it may be timely to consider the impetus and emotion that fueled the erection of these memorials in the late 19th and early 20th centuries. The end of Reconstruction ushered in the Jim Crow era. Many of the monuments constructed toward the end of the 19th century were as much a celebration of white supremacy as a permanent memory of the war.
Contemporary Americans are not so likely as Archer Anderson, the author of this address, to assert that:
The Pictorial Field Book of the Civil War in the United States of America
By Benson J. Lossing, LL.D. Illustrated by many hundred engravings on wood, by Lossing and Barritt, from sketches by the author and others (1879)
The promise of the title is not in vain. Indeed, this three-volume work is profusely illustrated. The citation assigns the imprint to the genres of Intaglio prints and Relief prints among others. Further, the citation also references many engravers and illustrators, by name, whose work contributed to the history. Appreciation of this imprint is enhanced by some knowledge of Benson John Lossing, a 19th-century American historian.